It also included takes of songs that would eventually be released by Columbia via the official "Bootleg Series". Stealin, which appeared later in 1969, began to compile more studio outtakes, with many tracks coming from the Highway 61 Revisited sessions of 1965, along with tracks that also appeared on Great White Wonder. The album was released in November 1969 under a Warner Bros. The write-up sparked numerous inquiries from readers, and a band was hired to record first some singles, then a full album. A review of the non-existent album ran in Rolling Stone on October 18, 1969. The album, The Masked Marauders, was supposedly recorded during a jam session between Dylan, Mick Jagger, John Lennon, and Paul McCartney. The release of the Great White Wonder gave birth to a fake bootleg that began as a gag concocted by editors at Rolling Stone magazine. Generally, the quality of the recordings degenerated between different releases, because the songs were being copied from the same source many times over. These re-releases usually switched track listings, or just took a single record of the two, and released it under a different name. As people began to buy the record, duplicates began to appear that were released by other young bootleg labels. It contained a variety of material: several tracks coming from a hotel rehearsal in December 1961 (recorded by then-girlfriend Bonnie Beecher), Witmark publishing demos, an interview with Pete Seeger, studio outtakes from the Highway 61 Revisited sessions, songs recorded with The Band in the summer of 1967 in Woodstock, New York (which would become known as The Basement Tapes), and one live performance from a 1969 broadcast of The Johnny Cash Show. The first ever popular rock bootleg to appear on the black market was Dylan's Great White Wonder, a double album first coming to underground record stores in mid-1969, through a young bootleg label, " Trademark of Quality" (TMQ). The first ever Bob Dylan bootleg album, Great White Wonder.
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